The Local Writer

It is really easy to trip yourself up, especially when you were not brought up in the culture you want to write about: Even if it is your own culture.  [You can watch a video version of this post here .] Today I want to talk about avoiding the misrepresentation trap. I am luckier than most indigenous writers because the Ibans already have a strong oral history and storytelling culture by the time Sarawak was colonised. The customary laws and rules of conduct were already firmly in place, mainly through oral storytelling. Trade has been happening since a few generations earlier, so there was a strong sense of tribal identity. How you go about doing your research will depend a lot on the type of materials that are available to you right now. From my own experience, I relied a lot on past memories, conversations with older folks, and books. Always understand the perspective of the writer when you are getting materials from literature. Journals, diaries and log books are especially dangero

I love reading new stories, especially ones that will make me see a group of people in a new light. I have one complain though: Why is it that bookstores only sell sad, depressing stories of non mainstream cultures? I have read folklores from many cultures online, and they are fun. I understand that these sad, depressing stories are important, but I also feel that it is important to make young indigenous readers feel hopeful, strong and proud through cultural stories that are heroic, adventurous or funny. Maybe this is the reason why many indigenous cultures are being side-lined by the younger generation, because they could not relate. For example, poverty is a horrible thing. My family had a roof over our head when I was growing up, but my parents worry about putting food on the table almost daily. John Keats' Meg Merrilies  gave me hope during those dark days. Maybe that was the reason why I love visiting my grandparents' farm, because there I could get a taste of how Meg liv

[The video version is here. ] My writing journal is just a standard notebook. I cannot find any of those fancy numbered journals in Sibu, so I had to make do with this one. Make sure you like the notebook you pick. This may seem silly, but if you do not like the feel of the paper, or the colour of the lines, it will annoy you because you have to use it so much. At the very least, make sure that you feel neutral about it. This post will only be discussing how I use this journal to prepare for my writing. I will not be talking about the word count tracker or writing logs or even how to track your submissions, because I am only interested in showing you what kind of basic information I need before I start writing, and why. I really recommend using this system because it has helped me stay focused as well as helped me pick up where I left off. For this post, I will be using examples from a new adventure that I had planned for Ratai. I had to stop writing it in December last year because I

[You can watch a video of this post here .]  As promised, today I will be writing about how to mix and use both the outlining and organic writing techniques together.  I must apologise first. I will be showing you two blurry photos because I did not take proper photographs of the progress of the poster above. They are just screen shots of my first and second tips video. The Idea Last month I put this thing up in my first video: How to know if you have a great idea . This is how I think the premise of my story will look like if it was a poster. I have a general idea of what kind of story I want to tell. If I like what I see, I will write a short fairy-tale about it. I do not treat this as the spine of the story though. Sometimes it is, but most times it is the prompter. In this case, because the idea is 'I love stories', it will make me think of centring my story around a bookshop, library, or theatre. The place you pick is important, because it will define what kind of characte

[Here is a video version of this post.] How has your writing grown? Have you managed to write out that amazing story that you can visualise in your head? Still finding it easier to run errands and do anything else other than writing? You don't have to feel guilty about it. I usually just give in to these urges because I know that whenever it happens, it is because I am still in the process of figuring out how to turn my ideas into words. Sometimes I have trouble with the motive of the characters. Other times I worry about there being too much  coincidences in the story. Many times, I wonder about how to transition from the logical to the fantastic. From reality to the dream world. How do I bridge the gap between cowardice and heroism? Or from selfishness to self-sacrifice?  I have tried planning these transitions into my stories. Planning the heck out of a story, however, never worked me. But I find that if I relax and let my imagination run wild, I will figure a way around it.  I